Friday, December 13, 2013

English Make-Up Work

TALL TALES
 
What Are They?
      Tall tales are stories written from someone’s imagination.  The story can be funny or silly.  They are filled with exaggerations, similes, metaphors, and lots of descriptive language.  It is always told as if it were true, even though the listeners know that the story could never really happen.
      Some of the characters were real heroes and heroines whose stories got exaggerated a lot, others were characters such as cowboys, railroad workers, loggers, sea captains, and firefighters.  Tall tales told information that really happened at the time and combined it with a wild tale full of fantasy.
      In general there were some bad things about tall tales.  They were negative towards Native Americans, African Americans, women, and animals.  The tales were about people who were trying to conquer the American Wilderness.  Most of these tall tales were written back in the 1800s when the pioneers were trying to conquer the wilderness of America.  It was a way for the pioneers to make the taming of America a little easier to handle.
History
      Many settlers originally came west because someone made many optimistic claims, those which told only of the good things.  They were told the climate was perfect and that there was plenty of water.  They were convinced that crops would spring up overnight.  It was said that the soil was so fertile that even footprints would grow!
      In real life, living on the plains was a lot tougher that the settlers had been told.  After they found out what life on the plains was really like, they had to face many hard times.  It was easier to do that if a person used humor.  One farmer is reputed to have said, “It could be so hot one day that the corn popped, and so cold the next day that a bucket of water would freeze so fast that the ice would still be warm."
      The settlers loved to exaggerate when they told tales about the huge animals, the incredible weather extremes and the monstrous fish that got away.  We can thank the pioneers for tall tales.  Tall tales have been associated with America’s past.
      Tall Tales are part of our nation’s oral history.  We can make many connections between such tall tales and events in history.  Among these are John Henry and the expansion of the railroads, Paul Bunyon and the timber industry, and Johnny Appleseed and agriculturalism.  Tall tales were stories told and passed down from generation to generation. 



Myths
 
What Are They?
 
Myths are among the oldest stories ever told.  They are present in all cultures and often explain some aspect of nature or human existence.  According to PBS, “For thousands of years, people all over the world have told stories to pass down the history, culture, and morals of their society to each new generation. One type of traditional story is the creation, or origin, story. Creation stories, also called ‘creation myths,’ describe the origin and nature of the universe, and often convey particular belief systems or values.”



Your tasks:

1.  Read/listen/watch  the following tall tales:  John Henry, Paul Bunyon, Johnny Appleseed.  As you read/listen/watch, make a 2-column list.  One column should list the realistic/historical aspects of the story, and the other column should list the exaggerated portions of the story.  Try to include at least 3 items in each column for each story.

2. Read, listen to, and/or watch 3 of the following myths: The Raven Story, Prometheus, Izangi and Izanami, and Genesis 3.  Record the following information for each myth:

Title of Story 
Culture & Geographic Area
Explains the creation of…
Major Characters
Cultural Values
Setting: mostly human, spiritual, or natural world?


Your tasks continued:

3. 
      A. Watch the video: "Punctuating Dialogue:" http://www.youtube.com/watch?v=xS2b4N8aiVU.

B. If you still are confused about the conventions of writing dialogue, visit this website: http://www.be-a-better-writer.com/punctuate-dialogue.html

C. Rewrite (you can copy & paste then edit) the following dialogues with correct punctuation, capitalization, & paragraphingDialogue Exercises.

D. Write a dialogue between two characters (real or fictional) in which each character says at least five different things.  It doesn't necessarily need to have a beginning, middle and end--so you can start the conversation at any point or you can end it abruptly (after ten total quotations).  The point is for you to practice writing dialogue correctly.  Submit it as a comment below.

4. 
A. Read the following imagery-rich passage, paying attention to details that make you see, hear, smell, taste, and/or feel that which is being described:

“The hot July sun beat relentlessly down, casting an orange glare over the farm buildings, the fields, the pond. Even the usually cool green willows bordering the pond hung wilted and dry. The low buzzing of mosquitoes hung about us.  Our sun-baked backs ached for relief. We quickly pulled off our sweaty clothes and plunged into the pond, but the tepid water only stifled us, and we soon climbed onto the brown, dusty bank. Our parched throats longed for something cool—a tart strawberry ice, a tall frosted glass of sweetly sour lemonade.
“We pulled our clothes out of the crackling underbrush, the sharp briars pulling at our heavy, wet clothes.  We wriggled into our damp jeans and ambled toward the watermelon patch. As we began to cut open the nearest melon, we could smell the pungent skin mingling with the dusty odor of the dry earth. Suddenly, the melon gave way with a crack, revealing the deep, pink sweetness inside.”
B. Then, list ten examples of phrases from the passage that show imagery &classify them by the sense to which they appeal (sight, hearing, smell, taste, or touch).

5. Learn about and active versus passive voice here.  Then, quiz yourself by filling in the Google Form.  Turn the passive sentences into active sentences correctly for full points.


6. Expand your vocabulary by learning about Greek and Latin roots.  View and complete the following worksheet that will expose you to and give you practice with 14 common roots.

7. Complete the activity More Root Words.


#8 :  Complete this worksheet about major poetic devices.  (3 points)


#9 :Complete the poetry analysis worksheet to learn how poets use some of these devices.


#10 :Alliteration Tongue Twisters:  Write an original alliteration tongue twister that incorporates at least seven alliterations with the same initial sound and (at least somewhat) makes sense.

  • Remember, alliteration is when two or more words share the same initial sound
    • Ex. “Down and Dirty”
  • When you string a bunch of alliteration together, you get a tongue twister.
    • Peter Piper picked a peck of pickled peppers.

#11 : Write a limerick, a five line poem that follows the rhyme scheme A A B B A, in which the “A” lines are eight or nine syllables and the “B” lines are six syllables.  See three different examples below:  


There once was a gray poodle named Spark.    
(A= "ark," 9 syllables long)
 Quite talkative, he so liked to bark.                  
(A= "ark," 9 syllables long)
 Sometimes running he found                          
(B= "ound," 6 syllables long)  
 His feet all off the ground                              
(B= "ound," 6 syllables long)
 Especially on "walks" in the park.                    
(A= "ark," 9 syllables long)

There once was a girl who loved rhyme;   (8 syllables)
 She felt her writing was sublime.             (8 syllables) 
 Indeed quite a poet,                                 (6 syllables)
 Though some didn't know it,                    (6 syllables)
 She'd be rich if each paid a dime.              (8 syllables)

There was a mean clown in the circus.
 For fun he would push us and jerk us.
 He would hit us with pies
 That left cream in our eyes.
 His act never once failed to irk us.

#12 : Review some major forms of figurative language by completing 20 examples on the worksheet.

#13 : Colors can give your poems some symbolic significance through the different connotations that we associate with colors.  Examine the chart below that outlines some color symbolism.  Read some poems that use color symbolism. Respond to two of the poems.  Identify the title and author and describe briefly what effect the poet’s use of color had on the poem.

Color Symbolism Chart
Excitement, energy, passion, love, desire, speed, strength, power, heat, aggression, danger, fire, blood, war, violence, all things intense and passionate.
Pink symbolizes love and romance, caring, tenderness, acceptance and calm.
Beige and ivory symbolize unification. Ivory symbolizes quiet and pleasantness. Beige symbolizes calm and simplicity.
Joy, happiness, betrayal, optimism, idealism, imagination, hope, sunshine, summer, gold, philosophy, dishonesty, cowardice, jealousy, covetousness, deceit, illness, hazard and friendship.
Peace, tranquility, cold, calm, stability, harmony, unity, trust, truth, confidence, conservatism, security, cleanliness, order, loyalty, sky, water, technology, depression, appetite suppressant.
Turquoise symbolizes calm. Teal symbolizes sophistication. Aquamarine symbolizes water. Lighter turquoise has a feminine appeal.
Royalty, nobility, spirituality, ceremony, mysterious, transformation, wisdom, enlightenment, cruelty, arrogance, mourning.
Lavender symbolizes femininity, grace and elegance.
Energy, balance, enthusiasm, warmth, vibrant, expansive, flamboyant, demanding of attention.
Nature, environment, healthy, good luck, renewal, youth, spring, generosity, fertility, jealousy, inexperience, envy, misfortune, vigor.
Earth, stability, hearth, home, outdoors, reliability, comfort, endurance, simplicity, and comfort.
Security, reliability, intelligence, staid, modesty, dignity, maturity, solid, conservative, practical, old age, sadness, boring. Silver symbolizes calm.
Reverence, purity, birth, simplicity, cleanliness, peace, humility, precision, innocence, youth, winter, snow, good, sterility, marriage (Western cultures), death (Eastern cultures), cold, clinical.
Power, sexuality, sophistication, formality, elegance, wealth, mystery, fear, evil, unhappiness, depth, style, evil, sadness, remorse, anger, anonymity, underground, good technical color, mourning, death (Western cultures).









































#15 : Read and/or listen to "Those Winter Sundays" by Robert Hayden.  Then, read and annotate this analysis of the poem.  What is the purpose of Hayden's sound devices (alliteration and consonance) in the poem?  

#16 : Read the Onomatopoeia Poetry Lesson Plan. Do Exercise 1 only.



Figurative Language & Symbols in Poetry

Week 15:


  1. Review some major forms of figurative language by completing 20 examples on the worksheet.
  2. Colors can give your poems some symbolic significance through the different connotations that we associate with colors.  Examine the chart below that outlines some color symbolism.  Read some poems that use color symbolism. Respond to two of the poems.  Identify the title and author and describe briefly what effect the poet’s use of color had on the poem.
  3. Write at least ten lines of poetry (this can be one or more poems, but there must be at least ten lines of poetry total) that use at least two colors to convey symbolic meaning and tone.  Please note, you can also play with different words for the same color (for example: red, scarlet, vermilion, crimson, rusty, cherry, burgundy and ruby may all carry different connotations).  Your ten lines of poetry should also incorporate at least twoexamples of figurative language (similes, metaphors, personification, and/or hyperboles.)  


Color Symbolism Chart
Excitement, energy, passion, love, desire, speed, strength, power, heat, aggression, danger, fire, blood, war, violence, all things intense and passionate.
Pink symbolizes love and romance, caring, tenderness, acceptance and calm.
Beige and ivory symbolize unification. Ivory symbolizes quiet and pleasantness. Beige symbolizes calm and simplicity.
Joy, happiness, betrayal, optimism, idealism, imagination, hope, sunshine, summer, gold, philosophy, dishonesty, cowardice, jealousy, covetousness, deceit, illness, hazard and friendship.
Peace, tranquility, cold, calm, stability, harmony, unity, trust, truth, confidence, conservatism, security, cleanliness, order, loyalty, sky, water, technology, depression, appetite suppressant.
Turquoise symbolizes calm. Teal symbolizes sophistication. Aquamarine symbolizes water. Lighter turquoise has a feminine appeal.
Royalty, nobility, spirituality, ceremony, mysterious, transformation, wisdom, enlightenment, cruelty, arrogance, mourning.
Lavender symbolizes femininity, grace and elegance.
Energy, balance, enthusiasm, warmth, vibrant, expansive, flamboyant, demanding of attention.
Nature, environment, healthy, good luck, renewal, youth, spring, generosity, fertility, jealousy, inexperience, envy, misfortune, vigor.
Earth, stability, hearth, home, outdoors, reliability, comfort, endurance, simplicity, and comfort.
Security, reliability, intelligence, staid, modesty, dignity, maturity, solid, conservative, practical, old age, sadness, boring. Silver symbolizes calm.
Reverence, purity, birth, simplicity, cleanliness, peace, humility, precision, innocence, youth, winter, snow, good, sterility, marriage (Western cultures), death (Eastern cultures), cold, clinical.
Power, sexuality, sophistication, formality, elegance, wealth, mystery, fear, evil, unhappiness, depth, style, evil, sadness, remorse, anger, anonymity, underground, good technical color, mourning, death (Western cultures).

Friday, December 6, 2013

Economics of Government Games

Learn about the economics of the federal government, including expenditures and revenues at People's Pie on iCivics.  When you finish, you have the option to print a certificate; print the certificate to receive your daily grade.

Then, if you have time, you can also learn about how local governments manage their economy by playing Counties Work and printing out the certificate.

**Hint: take care of social security FIRST when you get to the expenditures section!

Introduction to Poetry

Week 14: 

Task 1:  Complete this worksheet about major poetic devices.  (3 points)

Task 2: Complete the poetry analysis worksheet to learn how poets use some of these devices. (4 points)

Task 3: (1 point)  Alliteration Tongue Twisters:  Write an original alliteration tongue twister that incorporates at least seven alliterations with the same initial sound and (at least somewhat) makes sense.
  • Remember, alliteration is when two or more words share the same initial sound
    • Ex. “Down and Dirty”
  • When you string a bunch of alliteration together, you get a tongue twister.
    • Peter Piper picked a peck of pickled peppers.

Task 4: (2 points)  Write a limerick, a five line poem that follows the rhyme scheme A A B B A, in which the “A” lines are eight or nine syllables and the “B” lines are six syllables.  See three different examples below:  

There once was a gray poodle named Spark.       (A= "ark," 9 syllables long)
 Quite talkative, he so liked to bark.                     (A= "ark," 9 syllables long)
 Sometimes running he found                             (B= "ound," 6 syllables long)  
 His feet all off the ground                                 (B= "ound," 6 syllables long)
 Especially on "walks" in the park.                      (A= "ark," 9 syllables long)

There once was a girl who loved rhyme;   (8 syllables)
 She felt her writing was sublime.             (8 syllables) 
 Indeed quite a poet,                                 (6 syllables)
 Though some didn't know it,                    (6 syllables)
 She'd be rich if each paid a dime.              (8 syllables)

There was a mean clown in the circus.
 For fun he would push us and jerk us.
 He would hit us with pies
 That left cream in our eyes.
 His act never once failed to irk us.


Tuesday, December 3, 2013

Multiple Intelligences

Remember:  In 1983 Harvard psychologist Howard Gardner published his theory of multiple intelligences in his book Frames of Mind. Gardner identified eight separate intelligences. He defines intelligences as independent mental abilities characterized by core operations. For example,  musical intelligence focuses on the core operations of recognizing pitch and rhythm. Gardner states that most people have at least seven of these intelligences, but that in some people one intelligence may dominate, and in other people the intelligences blend. Below are descriptions of Gardner’s eight intelligences.

  • Linguistic intelligence: the ability to use language to express one's thoughts and to understand other people orally or in writing
  • Musical intelligence:  the ability to hear music in one's head, and to hear tones, rhythms, and larger musical patterns
  • Logical-mathematical intelligence:  the ability to manipulate numbers, quantities, and operations accompanied by a love of dealing with abstraction
  • Spatial intelligence:  the ability to represent the spatial world visually in one's mind
  • Bodily kinesthetic intelligence:  the ability to use the whole body or parts of the body to solve a problem, create a product, or put on some kind of production.
  • Intrapersonal intelligence:  the ability to know and understand one's self, including goals, tendencies, talents, limitations
  • Interpersonal intelligence:  the ability to notice and make distinctions among other individuals; a strong understanding of other people
  • Naturalist intelligence:  the ability to discriminate among living things and to see patterns; also, a sensitivity to features of the natural world

Your Task

GO TO: Literacy Work's Multiple Intelligences Assessment, take the survey, print out the results, and answer the following reflection questions:
  • According to your results, what were your top three intelligences?  (If you don’t know what some of these terms mean, please look them up on dictionary.com)
  • Do you agree with this analysis? Explain.
  • Do any of the other intelligences sound more like you?  If so, click on them to learn about them.
  • How do you think you learn best?
  • How can you use this information to help you?

Monday, December 2, 2013

Creative Writing: Revising, Editing, & More Root Words

Week 13:

  1. Revise your story according to the notes your teacher gave you.  Make sure to type it up (double-spaced).
  2. Edit your story with your teacher.
  3. Complete the activity More Root Words.

Tuesday, November 19, 2013

Inside the Teenage Brain

Watch the video. Take 10 notes and write 3 questions as you watch. When the class period is ending, record where you are in the video to finish tomorrow.


Friday, November 15, 2013

Drafting, Self-Revising, & Self-Editing Realistic Short Stories

Week 12:


1. Choose one of your story ideas (one of the ones that you wrote a descriptive paragraph).  Write a full first draft for that story.  It should contain the following elements:
·        A conflict (person vs. person, person vs. nature, person vs. society, and/or person vs. self)
·        Beginning (exposition), middle (rising action & climax), and end (falling action & resolution)
·        Sensory descriptions (imagery) of setting and at least one character
·        Dialogue
·        Thoughtful word choices (diction)

2. Revise and edit your story. First, double check that your story meets all the above requirement. Second, edit it! I do not want to see a draft with any glaring errors in capitalization, punctuation (especially dialogue and correctly used apostrophes), sentence structure (run-ons and fragments), or spelling (use spell check and make sure you don't confuse homophones like to, too, and two or they're, there, and their, or your and you're).

**This is due Monday (11/25). You have over a week to compete this. My expectations are for well-written, descriptive, interesting, and correctly written stories!


Friday, November 8, 2013

Pre-Writing Realistic Short Stories, Voice, & More Diction Work

Week 11:


1. Choose your top THREE story ideas from last week.  For each of those three story ideas, write a descriptive paragraph that focuses in on a character or a setting within that story idea, using imagery.

2. Learn about and active versus passive voice here.  Then, quiz yourself by filling in the Google Form.  Turn the passive sentences into active sentences correctly for full points.

3. Last, expand your vocabulary by learning about Greek and Latin roots.  View and complete the following worksheet that will expose you to and give you practice with 14 common roots.


Tuesday, November 5, 2013

Secrets of the Samurai Sword

Examine the thousand-year-old art and science behind the making of a Japanese warrior's signature weapon on the NOVA special from PBS: "Secrets of the Samurai Sword".
This video will take you two class periods.
Ask 3+ questions and take 10+ notes while watching each day (total of 6+ questions and 20+ notes).

Monday, November 4, 2013

Learning & Conditioning Quiz Information

Know and use these terms:
  • unconditioned
  • conditioned
  • stimulus
  • neutral stimulus
  • response
  • classical conditioning
  • operant conditioning
  • positive reinforcement
  • negative reinforcement
  • punishment
  • omission training
  • latent learning
  • observational learning
  • PQ4R


Sunday, November 3, 2013

Descriptive Writing & Realistic Short Story Brinstorming

Week 10:

1. Read the following imagery-rich passage, paying attention to details that make you see, hear, smell, taste, and/or feel that which is being described:

“The hot July sun beat relentlessly down, casting an orange glare over the farm buildings, the fields, the pond. Even the usually cool green willows bordering the pond hung wilted and dry. The low buzzing of mosquitoes hung about us.  Our sun-baked backs ached for relief. We quickly pulled off our sweaty clothes and plunged into the pond, but the tepid water only stifled us, and we soon climbed onto the brown, dusty bank. Our parched throats longed for something cool—a tart strawberry ice, a tall frosted glass of sweetly sour lemonade.
“We pulled our clothes out of the crackling underbrush, the sharp briars pulling at our heavy, wet clothes.  We wriggled into our damp jeans and ambled toward the watermelon patch. As we began to cut open the nearest melon, we could smell the pungent skin mingling with the dusty odor of the dry earth. Suddenly, the melon gave way with a crack, revealing the deep, pink sweetness inside.”

2. Then, list ten examples of phrases from the passage that show imagery & classify them by the sense to which they appeal (sight, hearing, smell, taste, or touch).

3. Then, I would like you to read and react to both of the following autobiographical short stories: "Hair" by Malcolm X OR "Eleven" by Sandra Cisneros.  Your reactions should be about a paragraph long each and should briefly summarize the story as well as discuss what you notice about Malcolm X’s or Cisneros’s writing style that you liked and that could help you in your own writing. These stories are acting as mentor texts, examples of autobiographical (or semi-autobiographical) realistic writing that can help you think about your own story and voice.

4. Next, I want you to think of some ideas for your own autobiographical short story.  Think about your own experiences.  "Write what you know" is a famous piece of advice.  Start out by writing a piece called “I remember.”  This piece is a brainstorm, free flow of thoughts that can work as a prewriting strategy.  If you handwrite, this should be 30 lines at least.  If you type, this should be 15 lines at least (12 point font).  If you get stuck, just write “I remember” and restart.  You may write about just one memory the whole time or a bunch of different memories.

5. Last, think of at least FIVE ideas of stories that have happened to you or someone that you know well that you can retell in a short story (creative license is fine here to fill in some details).
So that you have some other options, write down THREE more ideas in which you can be a little more creative. That is, you don't have to write about an actual instance in your life, but base it on what you know.  Nathan Englander explains that sometimes, “'Write what you know’ isn’t about events… It’s about emotions. Have you known love? jealousy? longing? loss? Did you want that [video game system] so bad you might have killed for it? If so, it doesn't matter whether your story takes place in Long Island or on Mars – if you’re writing what you know, readers will feel it.”

To summarize:
  1. Read the following imagery-rich passage.
  2. List ten examples of phrases from the passage that show imagery & classify them.
  3. Read and react to both "Hair" by Malcolm X and "Eleven" by Sandra Cisneros.
  4. "I Remember" freewrite (15 lines typed, 30 lines handwritten).
  5. FIVE ideas of stories that have happened to you or someone that you know AND  THREE more ideas in which you can be a little more creative. (8 total ideas)


Thursday, October 24, 2013

Digital Publishing & Diction

Week 9:

  1. Create your own Storybird.  Include the link as a "comment" below on this blog post.  Your story must be grammatically correct with correct spelling, capitalization, and punctuation.  Additionally, your story must include at least three of the following: have a plot that makes sense; convey a mood, tone, or atmosphere in which pictures and text work together; include complex and interesting characterization; and have a discernible theme.
  2. Write good, specific compliments on each of your classmate's Storybird stories.
  3. Descriptive writing is often facilitated by strong word choices (your diction).  For each of the following words, find at least five more precise synonyms.  For the last two words*, please find *ten more precise synonyms:
  • scared
  • happy
  • sad
  • big
  • small
  • strong
  • tired
  • angry
  • want
  • fight
  • pretty
  • said*
  • went*
4. Last, pick one of your lists of five and put the words in order from least extreme to most extreme (or vice versa) Example: Ugly: wretched-->gross-->hideous-->disgusting-->vile